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Dedicated to the SS. Trinità, although of a Romanesque layout, the church bears witness to the alternation of different architectural styles, up to the 16th century. On the other hand, the enlargement from the three original naves to the current five dates from the eighteenth century. Noteworthy are the rose window and the sculptural group surmounting the portal, the work of Raimondo da Francavilla. Inside, a valuable baptismal font and an allegorical wooden pulpit (1608), considered of national interest.
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